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THROUGH THE LEAVES
by Franz Xafer Kroetz
Directed by Brittney Brady
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Behind the door of a small butcher shop, Through the Leaves scrutinizes the deep inner lives of Martha and Otto. Martha is an independent woman, a butcher, and a small-business owner. Fueled by a sexual attraction that borders on violence, Otto and Martha are locked in a battle balancing independence and partnership. Raw, ruthless, and reaching for beauty, Through the Leaves is an unflinching interrogation of brutality and loneliness.
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From my notebook, November 2018:
Through the Leaves is a fable of brutality and loneliness.
At the beginning of Roger Downey’s translation of our play, he includes a Bavarian proverb: Wer durchs Laub geht, muss das Rauschen dulden. We are compelled to translate it this way: He who walks through the leaves, must bear the rustling. It also reminds us of another German proverb that resonates with the play: Wo gehobelt wird, fallen Spähne or where there’s wood planing, wood shavings will fall.. But back to walking through the leaves, it makes us think about pathways and what lies to the side of them. It asks us to consider what it means to go the road alone.
Lately I have been thinking a lot about loneliness and especially what Hannah Arendt said about it: “what prepares men for totalitarian domination is loneliness, once a borderline experience usually suffered in certain marginal conditions, like old age, has become an every day experience of the ever growing masses of our century.”
And then there is our play—siting square in front of us—this wild and simple and uncomfortable thing that stares at us, demanding we stare back.
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Featuring
Juliana Alvarez and Samuel Garnett
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Creative & Production Team
Production Stage Manager: Ethan Hollander
Production Manager: Ni Li
Technical Director: Mitchell Leitschuh
Scenic Designer: Songyi Park
Costume Designer: Edurne Fernandez
Lighting Designer: Christine Ferriter
Sound Designer: Bo Li
Scenic Artist: Rashi Jain
Composer: Evan Johnson
Video Designer: Christopher Jungwoo Kim
Director of Photography: Siru Wen
Fight Director: Steve Rankin
Asst. Lighting Designers: Christian Mejia & Euisun Yoon
Asst. Sound Designer: Jacenta Yu
Asst. Costume Designer: Selena Jin
Asst. Video Designer: Kathleen Fox
Assistant Technical Director: Francisco De Leon
Assistant Scenic Artists: Andrew Carey & Kato Lawton
Production Associate: Patrick Smith
Assistant Stage Manager: Gina De Luca
Assistant Production Manager: Jin Li
Assistant Scenic Designer: Tzu Hsiang
General Manager: Rui Xu
Marketing Manager: Sophie Blumberg
Digital Communications Manager: Jared Pixler
Line Producers: Xiaoyue Zhang, Alyse James
Resident Dramaturg: Changting Lu
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LITTLE RED BOOK OR PLURAL BODY
Directed by Xiaoyue Zhang
REDCAT NOW Festival, 2020
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Little Red Book, or Plural Body is an experiment of bodies in performative spaces to look carefully at the interactions in which individual bodies, collective identity, and ideology are connected within the cultural space of China and beyond. Focusing on the practices and disciplines that Chinese bodies assimilate in the process of socialization, modernization and globalization, Xiaoyue Zhang and her onstage collaborators explore the political and cultural pressures and conflicts within their bodies, and how they, as artists and movers, take them in, rebel against them, and move forward with them.
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Directed by Xiaoyue Zhang
Featuring Jiayu Zhang, Yue Zhu, Lydia Li, Xiaoyue Zhang
Produced by Xiaoyue Zhang & Yue Wang
Scenic Design by Amy Chiao
Costume Design by Xiyu Lin
Sound Design & Mixing by Kai-Luen Liang
Dramaturgy by Brittney Brady & Yue Wang
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